

The Malawi Two Seater - Green Alga
by Eddy Roothaert, Studio Bizar
Morning air moves lightly across The Malawi Two Seater, where this outdoor two seater sofa brings a sense of balance through scale and material. Its presence feels steady and welcoming, shaped for terraces, garden corners, or sheltered balconies.
Built to support everyday outdoor use, the sofa functions as a comfortable place for shared seating without formality. The cushions are filled with quick-dry foam and wrapped in outdoor fabric, allowing them to dry quickly and remain supportive after exposure to sun or light rain. The proportions encourage ease, offering enough depth to settle in without overwhelming the space. The structure is formed from solid teak wood, expressing the character of handcrafted teak outdoor sofa pieces through natural grain and tone.
To maintain its warmth and rich tone, simply apply a light coat of oil periodically. Kindly note that this piece follows a considered production process, with an estimated shipping time of 8-12 weeks.
- Material / Finish
- Oak frame, FSC Mix 70%
- Colour
- Green Alga
- Upholstery
- Washed linen, removable covers
- Availability
- Made to order | Lead time of 12–16 weeks
Price on request
Technical Specifications
Kiln-dried oak frame with webbed suspension and CMHR foam cushioning.
Covers are removable and dry-cleanable; the seat cushion is reversible.
Dimensions
Dimensions are nominal and vary by up to 10 mm, as each piece is finished by hand.
Care & Maintenance
Rotate and plump the cushions weekly so they wear evenly.
Vacuum the upholstery with a soft brush head. Dry clean covers only.
Shipping & Delivery
Delivered on a pallet by a two-person team, to the room of your choice.
Shipping is quoted per project once the inquiry is confirmed — it depends on volume and destination.

The Idea
The Malawi Two Seater - Green Alga was drawn for The Duna Collection — which meant working inside the collection's rules before anything else: one material family, honest thickness, and no detail that exists only to be looked at.
The prototype went through the workshop three times. What survived is the version where nothing further could be taken away without the piece stopping working.

The Designer
Eddy Roothaert spends more time with suppliers than with drawings. If a timber cannot be traced, it does not enter a Studio Bizar collection.
That discipline sets the boundary the rest of the design work happens inside.


















